mc-form

Designs song form and section structure using Japanese and Anglo-American terminology templates.

128|16|Updated Sep 17, 2026
One-click install
npx skills add https://github.com/jtydhr88/music-composition-skills --skill mc-form-jtydhr88
Or copy as Structured Prompt for Agent▼
Please help me install this Agent Skill.
Skill: mc-form
Source: https://github.com/jtydhr88/music-composition-skills/tree/main/plugins/music-composition/skills/mc-form
Command: npx skills add https://github.com/jtydhr88/music-composition-skills --skill mc-form-jtydhr88

SYSTEM DOCUMENTATION & REQUIREMENTS

💡 This Skill includes references (resource) components.

What problem does it solve? Songwriters and arrangers often struggle to lay out a song's sections so they feel distinct, build toward the chorus, and fit a 3-5 minute runtime. This Skill provides the terminology, standard templates, and a backwards-from-the-chorus design method for structuring a song, plus the mapping needed to fill the form table of an ARR-SPEC. ## Core Features & Use Cases - Terminology Mapping: Aligns Japanese section vocabulary (A melo, B melo, sabi, oo-sabi) with Anglo-American terms (Verse, Pre-Chorus, Chorus, Bridge), flagging the two terms routinely mistranslated. - Standard Templates: Provides the royal-road J-POP template, ternary form, EDM/club variants, lead-in options, and the repetition-omission rule for multi-cycle songs. - Backwards Design Method: Designs each section by reasoning backwards from the chorus, with a six-dimension contrast checklist to keep adjacent sections from blurring together. - Use Case: When filling the form table of an ARR-SPEC for a new song, use this Skill to decide how many verse-chorus cycles to write, whether a bridge is needed, and how to map each section to English names for downstream compilation. ## Quick Start Use the mc-form skill to lay out the section structure of a mid-tempo J-POP ballad and fill in the form table of my ARR-SPEC.

Frequently Asked Questions about mc-form

High-intent search queries and answers about installing and using this skill.

FAQPage Schema
How do I structure a J-POP song with verse, pre-chorus, and chorus?▼

Use the royal-road template: Intro, A-B-sabi cycle repeated two or three times, a C melo or bridge after the second cycle, then a final chorus. Design backwards from the chorus, and apply the repetition-omission rule so later cycles can skip repeated openings.

What is the difference between oo-sabi and a chorus in Japanese music?▼

Oo-sabi is not a bigger chorus; it functions as a bridge or middle eight. It is introspective and restrained, often with a half-time feel, and it is always followed by a real chorus. In an ARR-SPEC it must be mapped to Bridge, not Chorus.

Why do my song sections sound like they blur together?▼

Adjacent sections blur when they match on too many of six dimensions: register, rhythmic density, harmonic rhythm, arrangement thickness, vocal delivery, and phrase length. Fewer than two differing dimensions makes two sections sound like one.

How many verse-chorus cycles should a pop song have?▼

A full song typically has two to three cycles and runs three to five minutes. Slower songs use fewer cycles and faster songs more, balancing cycle count against tempo so the listener stays satisfied without getting bored.

When should I add a bridge or C section to a song?▼

Add a bridge only after trying lighter options first: extend with section repetition or add a roughly two-bar kime accent phrase. New sections lengthen the path to the chorus and diffuse focus, so they are a last resort within the runtime budget.